Somm's Table

Perfect pairings from the other side of the equation.

  • About
  • Front of the House
  • Back of the House
  • Contact Us
Powered by Blogger.


Today we’re getting back to my roots via wine and food! And really, what better way is there to go?!

My background is made up of a crazy mix of components – I’m quite proud of this. My mother’s father was Lebanese, and I think I  undoubtedly look the most like this part of my lineage. I think my genes show up in my food preferences too. If I could have a bottomless bowl of hummus next to me at all times, I’d be a very happy girl. I never met my grandfather –– he died when my mom was still a kid –– but we would visit my great aunt and great uncle every time we’d travel to Venezuela, where my grandfather and his family had immigrated to, when I was a kid. 

Even when she was very old and could no longer hear well or move with ease, my great aunt would always have a big spread of Lebanese mezze ready and waiting when we’d come for a visit including kibbeh, falafel, hummus, baba ganoush, tabouli, stuffed grape leaves, stuffed cabbage leaves, tzatziki, pita bread, feta, and on and on. The flavors burrowed down into my blood and soul. Fun facts, my great aunt can also be credited with giving me my first sip of Champagne and, reportedly, for teaching me to cheat at cards. I no longer cheat at cards (or do I?), but the Champagne habit stuck. While she’s no longer with us, I think she’d be happy to know she left her mark. (Actually, she once accidentally cut me with her diamond ring, so she also literally left a mark – hah!)


Since one doesn’t immediately associate middle eastern countries with fine wine production, I was really excited when I was first introduced to Chateau Musar, the first Lebanese wine I ever tried. It helped me discover that were still continuing wine traditions in this part of the world I have ties to, even if I've never been there. Chances are that if you’ve heard of one Lebanese winery – or any middle eastern winery – it’s probably Chateau Musar. It’s not Lebanon’s oldest winery, and there are increasingly new players on the Lebanese wine scene, but for now, Chateau Musar remains the most famous Lebanese winery internationally.


A BRIEF HISTORY OF WINE IN LEBANON

Even if we don’t immediately associate wine with middle eastern countries today,  Lebanon has a claim to being one of the earliest locations for wine production, dating back to about 7,000 BCE. The land of Canaan, and then Phoenicia, which followed it, were located in and around modern Lebanon. The Phoenicians were well-known for their viniculture, as well as for being traders, and the spread the doctrine of the vine far and wide, but modern Lebanon was really the heartland. At the end of last year, a 2,600-year-old Phoenician wine press was unearthed at Tell el-Burak that is particularly well preserved. 

The Bekaa Valley is a pretty ideal spot for growing grapes, and it continues to be where the grand majority of Lebanon’s wine grapes come from today. Elevation has a major role to play here, and without it, conditions would likely be far too hot for quality grapes. Bekaa Valley is actually more of a plateau than a valley, with an average altitude of 1000 m above sea level. The surrounding mountains are key as they provide protection from deserts to the east and rains blowing in off the oceans to the west. Mount Lebanon creates a rain shadow and helps to keep the area dry and sunny, averaging 300 days of sunshine a year. These conditions make it pretty easy to farm via organic, sustainable methods. Without disease pressures, there’s no real need for chemicals. With such idyllic conditions, it’s really no wonder that the Romans decided to erect a temple to Bacchus right here in the Bekaa valley. It’s still well-preserved – yet another reason for me to want to visit someday!

Bacchus temple in Baalbek.jpg
Image courtesy of Wikipedia, Link.


Despite their long history of winemaking, Ottoman rule pretty much brought it to a halt, just as it occurred in so many other countries in the region. Winemaking was allowed for religious purposes, so a few Lebanese Christian orders were permitted to continue to make wine. In 1857, Jesuit missionaries at Chateau Ksara planted Cinsault vines they brought in from French-governed Algeria. Other French wine grapes soon followed, along with newer production methods, starting the first flickers of the modern Lebanese wine industry. 

This allowed Lebanon’s Christians, mainly Maronites and Greek and Armenian Orthodox, to produce wine and in 1857 the Jesuit missionaries of Ksara introduced new vine varieties and production methods from French-governed Algeria, laying the foundations of the modern Lebanese wine industry. Several more wineries began to pop up shortly afterward.

The Lebanese wine industry benefited from French connections again in the 20th century. The French governed Lebanon in between the World Wars after the fall of the Ottoman Empire, and this French presence created a huge demand for wine and brought further know-how for how to make it. The French withdrew their forces in 1946, but after World War II, Lebanon, in particular Beiruit, continued to be known and a cosmopolitan center of business in the region. The new wine culture thrived against this backdrop, and it continued until civil war broke out in 1975. 

Interestingly, Chateau Musar was the only winery that managed to continue to thrive during this period, however, the rest of the wine industry began to flourish again when the fighting ended again in the 1990s. The French once again played a role as major French wine families took an interest in developing wineries in the Bekaa Valley. The industry has been developing quickly with the number of wineries growing from 40 to nearly 80 in the years between 1996 to 2020, despite numerous hurdles arising over the years. 

The wine industry there has been facing another difficult moment, though –– 2020 was particularly rough in Lebanon. The country was already facing an economic crisis, protests, and revolution. Then on August 4th of last year, a major explosion in the Port of Beirut caused at least 207 deaths, 7,500 injuries, and left an estimated 300,000 people homeless. All the while, the COVID-19 Pandemic was raging, putting more strain on an already extremely strained medical system and economy. 

The wine industry is a small ray of hope in the midst of a lot of turmoil.

For more on the current state of the Lebanese wine industry, see these articles from Wine Enthusiast and Bloomberg. A new documentary called Wine & War exploring the history of wine in the Middle East in general and in Lebanon in particular, premiered at the Sonoma International Film festival this year. I haven’t seen it yet, but I certainly, hope to soon.


CHATEAU MUSAR

Gaston Hochar founded Chateau Musar in 1930 when he was just 20 years old. He was inspired by his travels through Bordeaux, as well as Lebanon’s own ancient winemaking history. He set up his family’s 18th-century castle in Ghazir overlooking the Mediterranean, about 20km north of Beirut. (I mean, what else are you going to do with a spare castle on the coast?!) The majority of their vineyards are located in the Bekaa valley, about an hour away.   

His wines impressed the Frenchies that were stationed in Lebanon in between the wars, and he became good friends with Major Ronald Barton, whose family owned (and still does) Châteaux Léoville-Barton and Langoa-Barton, creating further ties with Bordeaux.

Gaston set things off to a good start, but the next generation really put the winery on the map. Gaston encouraged his sons to participate in the winery from a very early age. Serge Hochar, Gaston’s eldest son would become the winery’s winemaker, and his brother Ronald would go on to take over the financial and commercial side of things. As Ronald put it (per the winery’s website), “My brother looked after the liquid, I look after the liquidity,” and each would play a crucial role in the winery’s longevity. 

Serge Hochar trained as a civil engineer, then decided to study oenology at the University of Oenology in Bordeaux. He became the winemaker in 1959 after declaring to his father, “I want to make the wine my way, I want it to be known world-wide – and I want you to quit!” Gaston gave way and Serge created the house’s unique style. He spent 18 years perfecting the formula for Chateau Musar’s Red.  He was charismatic, celebrated, and something of a philosopher winemaker, and he was mourned around the world when he passed away in 2014.

For his part, Ronald Hochar gets a lot of the credit for the winery’s business success, making savvy decisions during difficult times. He kept Musar’s trucks running during the war against all the odds, while Serge kept the wine production going. To say that harvesting the grapes was difficult during this time is a huge understatement – at times they could only be harvested during pauses between shellings. Getting the grapes to the winery was a whole other ordeal.   

The family also had the foresight to develop foreign markets, another key reason Chateau Musar continued to do comparatively well during these difficult war years when no other Lebanese winery could really get a leg up. Ronald’s son Ralph worked with the on-trade sector in the United Kingdom until early 2017 and is now focusing on South East Asia from Chateau Musar’s UK office. His daughter Elsa produced a documentary film about the winery.

The style Serge created for Chateau Musar is extremely unique. They were making natural wines far before the term existed, and in many ways, they embody the good, the bad, and the ugly of the term. The wines intentionally show wide vintage variation, at times showing great elegance and depth, and a wild, feral, funkiness at others. I've experienced both ends of the spectrum, so it can be a bit of a gamble. That said, when they're good, they can be super good, very complex, and interesting. 

They use native yeast fermentations and a bare minimum of sulfur. The wines are all unfined and unfiltered. They were also the first Lebanese producer to have their vineyards certified organic in 2006, and are also vegan. 

They make three tiers of wines plus an Arack, an anise-flavored spirit made from grape alcohol. The top-tier Chateau Musar line is notable for the aging regime. Both the red (blends of Cab Sauv, Cinsault, and Carignan) and white wines (made with native grapes Obaideh and Merwah) are aged for a total of seven years before release, while the rosés (also predominantly Obaideh and Merwah, with a splash of Cinsault) are released three years after harvest. The wines develop interesting, savory flavors in the aging process with oxidative notes in the whites and rosés. This line is known for continuing to age well across all colors, and they greatly benefit from decanting. They’ve become coveted cult wines, and usually, run in the $50-$60 range at release. 

The next tier is the Hochar Père et Fils Red is a single-vineyard blend (Cinsault, Grenache, and Cabernet Sauvignon) that is aged for 4 years and is typically in the mid the low to mid $30s. The Jeune line is their entry-level hovering around $20ish, and are unoaked, fruity wines, made from their younger vines, and the wines are intended for earlier drinking. I’m taking a look at the red in this line.


BRINGING THE FEAST & THE WINE TOGETHER

It occurred to me that I had never actually had a Lebanese wine with Lebanese food. As I mentioned, the Lebanese spread is one of my very favorite meals. When my mom asks me what I’d like her to make me when I go home to visit, it’s always either this or Venezuelan Pabellón. (Both over the course of the stay if possible.) I also buy myself middle eastern food pretty regularly, and I can make a pretty decent spread of mezze myself. I’ve also had the opportunity to have wines from Chateau Musar’s various tiers a fair number of times over the years. Still, the wine and the food had never met at my table. I figured it was about time to change that.


I opened a bottle of the Musar Jeune Bekaa Valley 2016 (click the link for additional details, average price: $21 13.5% abv), a blend of 50% Cinsault, 30% Syrah, and Cabernet Sauvignon 20%. This is from the entry-level line and intended for early drinking, and the winery's website suggested that it can be enjoyed right out of the bottle. Nonetheless, I decided to decant it anyways and I do think it helped the wine open up. I was greeted by aromas of warm raspberries, plums, and black cherries, warm earth, light herbs, and white pepper. Similar notes appeared on the palate, with dusty, candied raspberries, ripe red plums, as well as some dried fruit notes along the lines of strawberry leather. The generous fruit notes were mixed with savory hints of black olives, thyme, pencil lead, white pepper, and allspice (which had to be coming from the fruit, as this wine sees no oak aging). The wine was medium + to full in body, showed medium acidity, and medium + tannins that were smooth and supple. I found this bottle to be really delightful and excellent at the price point. As much as I've enjoyed Musar's high-end wines, this is definitely a much more accessible bottle that seems to be about direct pleasure, whereas I see the higher-end Musar wines as "thinky" wines.


Just to illustrate the point of the vintage variation with these wines, the last time I have a relatively clear memory of trying this wine was a bottle of the 2013, and that one left me with the impression of being rustic, earthy, with grippy tannins, and had mostly black fruits (in my memory anyways). This one gave an overall feeling of warmth with generous spiced fruits falling mostly into the red camp. 

Coming back to the present, I treated myself to a Lebanese feast. I decided to make about half the spread to pair with this wine and purchased the rest to have a feast for two at home. I made kibbeh, spiced meat croquettes, made in this case with a combo of beef and lamb, along with hummus, and buckwheat tabouli. I’m not allowed to share my mom’s kibbeh and hummus recipes, however, so I used this one from The Mediterranean Dish for the kibbeh. I make the hummus to taste at the point, using a lot of garlic and lemon, but Ina Garten’s recipe is pretty close to my mom's (although we make it without the hot sauce). I first made this Buckwheat Tabouli when my MIL came for a visit while she was avoiding gluten a while back, but I find I like the toothsome texture or the buckwheat and its nutty flavor, so I opted to make it this way, rather than using the usual bulgur wheat. I purchased tzatziki and baba ganoush, as well feta and pita bread. 

Normally, when I’m making a mezze spread for company, I divide the work out over a few days. It had been a while since I’d tried to make everything (although this was only a partial spread) on the same day. I’d forgotten how much work it is when you do it all at once! Most of this isn’t difficult, but many things involve quite a few steps. If making a spread like this for friends, I'd recommend distributing the work across a few days, as it makes it much more manageable. It might look something like this:

  • 2 to 3 days before – Make hummus and/or baba ganoush
  • 1 day before – Prep and form kibbeh and/or falafel. You can also spread the work of making kibbeh over 2 to 3 days as well by splitting the work into 3 phases: making/prepping the meat components, forming the kibbeh, and frying the kibbeh. 
  • Day of – Make tabouli and/or tzatziki, and fry kibbeh or falafel. 

Of course, you can also buy some or all of the components as well! 

The wine was soooooo good with the kibbeh. The allspice notes in the food and the wine really sang together. The baba ganoush I bought turned out to be mediocre at best, but it got a lot better with the wine, as the smoky note in this dip really resonated with the wine as well. Everything else worked ok, but having either the kibbeh or baba ganoush involved in a bite really helped tie things together.


*****

To read more about wines from places with ancient wine traditions that are now reemerging, check out these posts:

  • Cooking to the Wine: Recanati Marawi with Black Cod and Papaya-Cucumber Salad, Part 1
  • Cooking to the Wine: Recanati Marawi with Black Cod and Papaya-Cucumber Salad, Part 2
  • An Armenian Feast with Friends Paired with Armenian Wines: Modern Wines from an Ancient Place
  • You're Invited to Sip the Wines of the Ancient World
  • A Sneak Peek at the Wines of the Ancient World with the #WinePW Crew
  • Memories of Golan Heights Winery with a Side of Meatball Shakshuka Part 1
  • Memories of Golan Heights Winery with a Side of Meatball Shakshuka Part 2
  • Tasty Moldovan Food & Wine Explorations
  • Celebrating Moldova National Wine Day with More Food and Wine Explorations
  • An Ode to Godforsaken Grapes
  • Stranger Grapes with Eric Danch of Danch & Granger Selections


*****

The rest of the Wine Pairing Weekend blogging group (#WinePW) is exploring Middle Eastern Wine and Food Pairings this month, hosted by Wendy of A Day in the Life on the Farm. 

  • Robin of Crushed Grape Chronicles is Celebrating Sauvignon Blanc Day at the table with St. Supéry and easy Middle Eastern Dishes 
  • Pinny of Chinese Food and Wine Pairing is Drinking Serious Wine from Israel's Domaine du Castel and Eating Causal Israeli Food
  • Nicole of Somm’s Table is "Indulging My Lebanese Cravings with Chateau Musar Jeune Rouge" 
  • Susannah of Avvinare shares Israeli Wine From the Judean Hills and Tabbouleh Salad
  • Terri of Our Good Life talks about Kofte Kebabs and Ben Ami Cabernet Sauvignon: a BBQer’s Bliss. 
  • Andrea of The Quirky Cork visits Lebanon and Syria, a Crossroads of Wines and Flavors 
  • Cam of Culinary Adventures with Camilla is sharing Man'oushe + Château Musar Lebanon Jeune Red 2017 
  • Wendy of A Day in the Life on the Farm made up a  Mezze Platter with Middle Eastern Wines
  • Jane of Always Ravenous is "Pairing Middle Eastern Flavors with Wine" 
  • David of Cooking Chat is serving Sesame Free Hummus with Wine from the Middle East 
  • Gwendolyn of Wine Predator shares So Africa’s Organic Reyneke Syrah and Chenin Blanc with Instant Pot


Additional sources used for this post and extra reading:

  • Broadbent: Chateau Musar
  • Vinepair.com: Why Wine Insiders Are Obsessed with Lebanon’s Château Musar
  • The Oxford Companion via Jancisrobinson.com
  • Wine of Lebanon
  • Wine-searcher.com
  • The Business Year: Chateau Musar
  • Eater: We Should All Be Drinking More Lebanese Wine
  • Whetstone Magazine: Wild Yeast and Native Grapes in Lebanon
  • The World Atlas of Wine
  • The Wine Bible


This post contains Amazon Affiliate links, from which I might earn a commission at no cost to you.


 
Côtes du Rhônes are among my most regular everyday go-to’s. They’re kind of the quintessential bistro wine since they tend to not be expensive, are pretty food-friendly, and just generally easy-going. For the same reasons, they fall into a sweet spot for what I’m usually looking for in a weeknight wine. Similarly, if I’m having a party (when parties were a thing) and need to supply wine for lots of people, I’m bound to serve a few bottles of CdR because they tend to be crowd-pleasers, in addition to having those wallet-friendly prices. The Rhône also happens to be one of my very favorite wine regions, so I get to please my own palate as well.


 
Côtes du Rhône is actually quite a large AOP/AOC with 86,000 acres, and as is usually the case in large regions, there is a lot of variety and quite a bit more to know than one might expect. Here are the basics:

  • It covers the whole region. The Côtes du Rhône AOC was established in 1937 and covers the entire Rhône Valley, both north and south. That said, the grand majority of CdR comes from the Southern Rhône.
  • Most Rhône wine is Côtes du Rhône. This is the entry-level appellation for the region, and the majority of the wines released from the Rhône fall under it – over ⅔ according to GuildSomm.com, although I've seen figures of around 50% elsewhere.  
  • CdR’s come in Red, White, and Rosé. The overwhelming amount of wine is red as over 95% of the region’s vineyards are planted with red grapes, which of course can be used for rosé as well. However,  you will find white wines too. Today we’re going to look at an example of each color. 
  • It’s all about the blends. Generally, speaking most wines from the Southern Rhône are blends, and that’s also typically the case for CdR’s. Moreover, there are 21 permitted grape varieties to choose from. 
    • That said, Grenache, Syrah, and Mourvèdre (aka GSM) are the star players for the reds, with Grenache usually making up the base of the blend, as it is the most planted grape in Southern Rhône. Cinsault and Carignan also make frequent appearances. 
    • Marsanne, Roussane, Viognier, and Grenache Blanc are common players among the whites. 
  • There are levels. While Côtes du Rhône is the entry point and the base of the region’s quality pyramid, there are few more levels. With each rung you move up the ladder, the quality restrictions get tighter and there is  more regulation of how the wine is made.
    • In 1966 the Côtes du Rhône Villages AOC was added for villages deemed to be producing wines of consistently higher quality. 
    • Next up are the named Côtes du Rhône Villages. These communes get to attach their name on the label. Currently, there are 21, but more are occasionally added. 
    • The Crus sit at the top of the pyramid above all the CdR's. This tier includes all of the Rhône’s most famous appellations like Châteauneuf-du-Pape and Côte-Rôtie. There are 8 in the north and 9 in the south. I hope to eventually get to them all, but so far we’ve explored:
      • Crozes-Hermitage (Northern Rhône)
      • Gigondas (Southern Rhône)
      • Ventoux  (Southern Rhône)
      • Rasteau  (Southern Rhône)

 

Famille Perrin


I recently received a set of samples of Famille Perrin’s Côtes du Rhône wines and I thought this would be a great opportunity to explore the range of CdR colors together.

The Perrin stepped into the wine world in 1909, Pierre Traminer bought the famous Château de Beaucastel and then transferred it to his son-in-law Pierre Perrin, a scientist who further developed the property. His son, Jacques, then continued his father’s work and continued expanding the family’s holdings. His sons Jean-Pierre and François now head up the business with the fifth and 6th generations involved in the company as well. They now have a wide range of holdings and wines spanning the entire Rhône pyramid, as well as participation in ventures around the world.

The family is also a leading organic grape grower in the Southern Rhône. The began working with organic farming techniques in 1950, and later biodynamic farming in 1974. They are trying many different techniques at their properties, which now span much further than the
Southern Rhône. Initiatives include an innovative renovation at Château de Beaucastel, as described in the article by Jill Barth on Forbes.com, and Regenerative Farming at Tablas Creek here in California, as described in this post by Robin of Crushed Grape Chronicles. Their organically certified Nature Côtes du Rhône line, the red of which is described below, is another example.

THE WINES


For this post, I’m looking at three of their Côtes du Rhône, all of which are pretty classic examples of their respective CdR color and all very good values.
 
These wines were provided as media samples. Please note that no other compensation was received and all opinions are my own.
 

Côtes du Rhône Reserve Blanc 2019


Average Price: $12
Blend: Grenache Blanc, Marsanne, Roussanne, Viognier
Alc: 13%
Nose: White flowers, sweet honeysuckle, melon, white peach, and apples jump out of the glass.
Palate: All came back on the palate, and were joined by almonds, lemon cream, and stony minerals. It showed medium acid and medium body.
Find more details on the wine here.

 

Côtes du Rhône Reserve Rosé 2019


Average Price: $12
Blend: Cinsault, Grenache, Mourvèdre, Syrah
Alc: 13%
Nose: Cherry blossoms, tart cherries and strawberries.
Palate: The flowers and juicy red fruits were rounded out by a lightly creamy texture. Medium acidity and medium body.
Find more details on the wine here.

 

Côtes du Rhône Nature Rouge 2018


Average Price: $13
Blend: Grenache, Syrah
Alc: 14.1%
Nose:  A bouquet of herbs and flowers, with berries and rosehips.
Palate: Crushed berries, pepper, and pencil lead. It reminded me of brambly raspberry and blackberry bushes at the edge of a forest. Medium body, medium + acidity, and medium/medium + tannins.
The grapes for this wine are certified organic by Ecocert.
Find more details on the wine here.


THE PAIRINGS & HOW THEY WORKED



Our friends Dee and OWD visited the Rhône Valley last year, back when we could travel, although they focused on the Northern Rhône. 
 

I asked Dee to send me some pics of their adventures. These pics are of Cornas in Northern Rhône, where the landscape is more mountainous, and the weather and soils are bit different, but it still gives a bit of an idea of the rugged, rocky terrain.

Dee picked up this little recipe booklet for me put out by Inter-Rhône and I thought it would be fun to pick a couple of recipes to try and then see how each of the wines worked with them.


 
I chose a mushroom terrine with grape compote and a braised pork dish flavored with preserved lemon and rosemary. I made a meal out each and served the dishes with the wines over two nights, however, these were originally intended to be an appetizer and a main dish respectively. I’ve adapted each bit from the original. Here’s a little about each and how they worked with the wines.

 

Mushroom Terrine with Grape Compote and Cheese

 

While this is written as a terrine, which is certain to be the more elegant presentation, I kind of prefer the creamier texture of pâté, and you can easily go either way with this recipe. For the pâté-like texture (which is the direction I went), just use an immersion blender on the mushrooms, or run them through the blender. 
 
While the grape preparation is referred to as a compote, the grapes actually retained their shape fairly well, so they're more like glazed grapes. To turn this into a complete meal, I served it with a salad and sourdough bread I’d baked. I also had some Moses Sleeper cheese – a creamy, bloomy rind cheese that’s just a little funkier than a basic brie-style IMHO – so I included it in the spread.

  • Greg and I agreed that the rosé was the MVP in this spread. Regardless of the composition of the bite, it seemed to work quite well.
  • The red was the runner up. It worked with the mushrooms and wasn’t too bad with bites involving the cheese or even the compote, which could be tricky at times due to its sweetness.
  • The white version worked solidly well with bites that had mushrooms and cheese, as well as with the salad. It definitely did not work with the grape compote.

 

Braised Pork with Preserved Lemon, Rosemary, and Fennel



I love the flavor components in this dish, however, preserved lemon is an intense flavor and I shouldn’t have used as much as the recipe indicated. The way it was, it kind of took over, particularly in the leftovers after the flavors had sat together overnight. I’ve written it here the way I should’ve made it, with the quantity drastically reduced, as well as making a couple of other adjustments. My grocery store also didn't have pork loin, as requested by the recipe (and it would've been my preference), so I had to adjust for tenderloin. I give instructions for both below. I served it all with Israeli couscous and a salad.
  • The overall winner was the white CdR. It was refreshing with the pork and the food resonated well with the lemon and herb flavors in the wine.
  • Greg and I were split on the other two wines. I preferred the rosé, which I thought was refreshing, and matched the weight of the food. Greg felt it brought out a melon note in the wine that he didn’t care for.
  • He preferred the red as a close runner up, and the choice was particularly close for bites that were predominantly pork. I have to say that I was surprised – I didn’t expect the red to work with the flavors in the dish at all, and I had to agree that it wasn’t half bad.
To me, there is a floral note in fennel, and in turn, the dish brought out the floral notes in each of the wines. 
 

Mushroom Terrine with Grape Compote
Print

Mushroom Terrine with Grape Compote

By: Nicole Ruiz Hudson, Adapted from recipe by Inter-Rhône
Prep Time: 15 MinCooking Time: 45 Mininactive time: 8 HourTotal Time: 9 Hour

Ingredients:

For the Mushroom Terrine
  • 1.5 to 1.75 lbs of mixed mushrooms (The original recipe recommends porcini and a couple of different types of chanterelles. I used a mix of various kinds including a high percentage of cremini.)
  • ¼ cup olive oil
  • 3 shallots, finely diced
  • 3 to 4 garlic, finely diced
  • 1 bunch of parsley, chervil, or half a bunch of each, chopped
  • 5 sprigs tarragon (or substitute in 1 tsp dried), chopped
  • 1 cup cream
  • 1 packet of gelatin
  • Salt, to taste
  • Pepper, to taste
For the Grape Compote
  • 2 Tbsp butter
  • 1 Tbsp vinegar
  • 1 Tbsp sugar
  • 1 lb grapes, rinsed and dried (The original recipe recommends Muscat or Chasselas, but I used regular red table grapes here.)

Instructions:

For the Mushrooms
  1. Rinse mushrooms, trim off the woody ends of any mushrooms that have them, then slice up mushrooms.
  2. Sweat shallots in the olive oil in a large pan over medium/medium-high heat until beginning to turn translucent, then add in the garlic and continue to cook for about 30 seconds. Add in the mushrooms and season with salt and pepper. As the mushrooms begin to release cooking juices, spoon out about ¼ cup of the juices, and set aside. Cook the mushrooms until they’ve softened and the majority of the remaining liquid has been cooked off.
  3. Optional: For a terrine with a creamier, paté-like texture, blend the mushroom with an immersion blender (or regular blender).
  4. Sprinkle the gelatine in the reserved mushroom liquid and let stand for 1 minute. Add the mushroom-gelatine mix to a small saucepan along with the cream, whisking until the gelatin is fully dissolved, then reduce the liquid by about ⅓ over medium-high heat.
  5. Add the mushroom-cream sauce to the mushroom mixture, along with the chopped herbs. Taste and adjust seasoning. Pour the mixture into a terrine dish or small casserole dish. Weigh the terrine down with a board or a plate. Store in the fridge and allow to set for at least 8 hours.
For the Grape Compote
  1. Melt butter in a deep pan, then add in the vinegar, sugar, and grapes. Toss everything to dissolve the sugar and coat the grapes well. Cook for about 5 minutes, then set aside to cool.
  2. Serve the terrine and with the grape compote.
https://www.sommstable.com/2020/09/all-colors-of-cotes-du-rhone-with-famille-perrin.html
mushrooms, terrine, pate
appetizer
French
Did you make this recipe?
Tag @thesommstable on instagram and hashtag it #sommstable
Created using The Recipes Generator

 

 

pork, braise, fennel
dinner
French
Servings: 4 to 5
By: Nicole Ruiz Hudson, Adapted from recipe by Inter-Rhône
Print
Braised Pork with Preserved Lemon, Rosemary, and Fennel

Braised Pork with Preserved Lemon, Rosemary, and Fennel

Prep Time: 10 MinCooking Time: 60 MinTotal Time: 1 H & 10 M
Serve with a side of Israeli couscous as shown here, potatoes, or rice.

Ingredients:

  • 2 to 2.5 boned pork loin or tenderloin (however, note the two will require different cooking times)
  • 1 to 2 Tbsp butter
  • 2 Tbsp olive oil
  • Juice of 1 to 2 lemons
  • 4 garlic cloves, minced
  • 2 Tbsp honey
  • 6 sprigs rosemary
  • 6 bulbs fennel, quartered
  • 1 preserved lemons, sliced
  • Salt, to taste
  • Ground pepper, to taste

Instructions:

  1. Heat butter and oil in a large saucepan or Dutch oven over medium-high heat, add the pork and brown on all sides, then place on a separate plate and set aside.
  2. Reduce the heat in the pan to low, then add garlic and cook until it’s beginning to turn fragrant and lightly golden (1 to 2 minutes), then add in the honey, lemon juice, sprigs of rosemary, and 6 oz of water. Stir to combine, allow the mixture to come to a boil, then immediately reduce to a simmer. Add in the fennel and the preserved lemons, along with a generous pinch of salt and pepper.
  3. If you’re working with a pork loin, add it back to the pot now, cover, and cook over very gentle heat for 50 mintues to 1 hour 15 minutes (the final internal temperature should be between 145° F medium-rare) and 165°F for medium to medium well). If you’re working with pork tenderloin, the cooking time will be at the lower range of this, about 50 minutes.
  4. When the pork is cooked through to the desired temperature and the fennel is tender, remove from the pot. Taste and adjust seasoning. Allow the pork to rest for about 5 minutes, then slice and serve with the fennel and lemons and a little jus spooned on top.
https://www.sommstable.com/2020/09/all-colors-of-cotes-du-rhone-with-famille-perrin.html
Did you make this recipe?
Tag @thesommstable on instagram and hashtag it #sommstable
Created using The Recipes Generator




*****
Check out these previous posts and recipes related to the Rhône:
  •  A Simple Spring Lamb Feast with Maison Nicolas Perrin Crozes-Hermitage 
  • Cooking to the Wine: Les Vins de Vienne Gigondas with Gratinéed Shepherd's Pie  
  • Cooking to the Wine: Clos de Trias Ventoux with Bacon-Cheddar-Teriyaki Burgers  
  • 5 Nights of Rasteau  
  • 8 & $20: Braised Lamb Shanks and Lentil Stew  
  • 8 & $20: Ham Steaks with Peach-Tomato Succotash
  • A Wine & Cheese Night #MadeinFrance
  • French Wine 101 Cheat Sheet 
 And for a bonus pairing idea,  I've found that CdR Blancs tend to be quite good with Asian cuisines that aren't super spicy,  like this one from Guigal we had with Laotian take-out.

View this post on Instagram

#TakeoutTuesday: #ChampaGarden is one of our favorite local spots – the rice ball salad is always a go-to and I love the fried wrapped spring rolls! A bottle of @domaineguigal #cotesdurhoneblanc made a delicious pairing with recent dinner ordered in. . If you can, be sure to support your local restaurants during this difficult time.

A post shared by Nicole Ruiz Hudson, DipWSET (@nibblinggypsy) on Apr 21, 2020 at 12:49pm PDT


 
*****
 
The rest of the French Winophiles blogging group are exploring various aspects of Côtes du Rhône, hosted by Camilla of Culinary Adventures with Camilla. If you happen to see this post early enough, join our twitter chat at 8am Pacific Saturday 9/19/20 by following the hashtag #Winophiles.
  • A Côtes du Rhône from Franck Balthazar and A Deconstructed Pairing by Robin on Crushed Grape Chronicles
  • A Côtes du Rhône Tasting by Payal on Keep the Peas
  • All the Colors of Côtes du Rhône with Famille Perrin by Nicole on Somm's Table
  • A Trio of Côtes du Rhône Pairings by Cam on Culinary Adventures with Camilla
  • A Window Into Chateau-Neuf-Du-Pape Through Maison M. Chapoutier by Susannah on Avvinare
  • Back on the Rhône Again by Cristy.
  • Beef Tongue Stew with a Côtes du Rhône Gigondas by Wendy on A Day in the Life on the Farm
  • Côtes du Rhône and Clearwater Camping: Charcuterie in God’s Country by Terri on Our Good Life
  • Côtes du Rhône: Essential French Wines by Jill Barth on L’Occassion
  • Lamb Meatballs Paired with Côtes du Rhône by Jane Niemeyer on Always Ravenous
  • Leaning Savory with a 2016 Alain Jaume Côtes du Rhône by Linda Whipple on My Full Wine Glass
  • Rhone Roam #3: Crozes-Hermitage Is Syrah, Condrieu Equals Viognier Paired with Fall Fish #Winophiles by Gwendolyn Alley at Wine Predator
  • Rhône Wine with Brisket by David Crowley at Cooking Chat
  • Turkey Does the Côtes du Rhône by Andrea Lemiux at The Quirky Cork
  • What the Heck is Côtes du Rhône Villages? by Mel at Wining with Mel
 
Additional sources used for this post and further reading:
Wine Enthusiast: What is Côtes du Rhône?
WineFolly: The Guide to Côtes-du-Rhône Wine w/ Maps 
The Oxford Companion via JancisRobinson.com  
Wine-searcher.com 
Vino Vest: Cotes du Rhône (History, Top Wines, Prices, How to Buy) 
 
 
This post contains Amazon Affiliate links, from which I might earn a commission at no cost to you.
 

Older Posts Home

INSTAGRAM

Sign up for my mailing list!

Subscribe

* indicates required


Somm's Table 2017