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While visiting the area around Conegliano-Valdobbiadene Prosecco Superiore DOCG in the Veneto region, I had a chance to stop at Latteria Perenzin for some delicious cheeses and wine pairings.




Bring on the cheese! 


Today we’re going cheese tasting and it will take center stage . . .  but a few sips of wine along the way certainly won’t hurt 


Back in the fall of 2019, I had a chance to visit the Conegliano-Valdobbiadene Prosecco Superiore DOCG region. I occasionally work with the region in a PR capacity and got the opportunity to go to get to know the region firsthand. (It turned out to be one of the last trips I took before the world shut down.) While the trip focused on wine, our little travel group got a nice change of pace when we stopped at Latteria Perenzin, in the town of San Pietro di Feletto, to get a taste of the region’s cheeses. And of course, cheese tasting presents a perfect opportunity to taste wines to pair with them!



Note: While I occasionally work with the Consorzio, I was not compensated for this post. All opinions are my own. 



Latteria Perenzin


Latteria Perenzin has been making cheese since 1898. It’s a family-owned operation that’s been going strong for five generations and is currently run by Emanuela Perenzin and her children, Erika and Matteo. The family makes goat, cow, and buffalo milk cheese using both non-organic and organic milk – they were actually among the pioneers of organic milk processing for cheese in Italy.


Image borrowed from Latteria Perenzin's website.


Making cheese is a serious business in this family, but if their website is any indicator, they also have a sense of humor about the family business: 


How many family dramas can be settled during 120 years of history? Just think about 5 generations of brothers, parents, sons and also grandparents who work together and try and imagine how many fights!

In the end, however, it doesn’t matter if brothers and sisters don’t agree with each other, nor does it matter if husband and wife part from each other, in our family what really matters is CHEESE and to keep going, in any case; grandpa Egidio used to say: “Cows don’t go on holidays, don’t you know?”




Emanuela met us to give us a tour of their facilities, which included lots of wonderful artifacts from the family’s history, as well as the production areas and rooms for aging cheese. 


These tours and tastings are available to the general public as well. You can also simply stop in for a tasting at their store and cafe. I highly recommend a visit if you’re ever in the region.







How to Taste Cheese


After our tour, it was time to taste! To start things off, Emanuela gave us a crash course on the proper way to taste cheese like a master. The way she showed us how to taste brought in as many senses as possible. 


  • It begins with sight – take a look and take it in.
  • Touch is next – you break off a piece of cheese and feel it between your finger to get an initial sense of its texture, consistency, and fat content.
  • Next, we brought in the sense of smell – you break off another small piece of cheese and smell it at the break, as this is where the smell will be strongest. 
  • Then we finally got to taste, taking into account both the flavors and textures on the palate. 


We sampled several delicious cheeses, which we’ll get to in a moment.



The Wines


As we moved through the cheese, we also got to sample them alongside a selection of three wines from the region, each representing three very different styles: sparkling, and red and white passito wines. Here are they are: 


Toni Doro Dono Brut Conegliano Valdobbiadene Prosecco Superiore DOCG 




We were in the region after all, so of course, there had to be at least one Prosecco Superiore DOCG!  (For more background on this region, the heartland of Prosecco, see this post.) Toni Doro is a family-owned winery that has been handed down from father to son since the end of the 19th century.  This wine is made with 100% Glera grapes and is in the Brut style, so it was crisp with notes of citrus, bruised pears, flowers, and a minerally iron finish.


Find additional details on this wine here. 



Our next two wines were both Passito wines. These are dessert wines made from raisinated grapes – the drying process concentrates the flavors. For more background on this style of wine, check out this post.



Le Manzane Marzemino Colli Trevigiani Vino Passito IGT




Le Manzane is another family-owned operation. The company dates back to 1958 and it’s now in its third generation. They also happen to be located in San Pietro di Feletto, the same as the latteria. The winery makes Prosecco (in both the DOCG and DOC categories), as well as dry still wines, dessert wines, and spirits. This wine is made from 100% Marzemino, a red grape that’s predominantly grown in northern Italy. It showed notes of rich black cherry liqueur, dates, touches of pencil lead, as well as espresso bean crumble on the finish. Despite the rich flavor, this wine showed a surprising amount of freshness. 


Find additional details on this wine here.  



Cantina Produttori Fregona Piera Dolza Colli di Conegliano Torchiato di Fregona DOCG




This passito wine is the main product of Cantina Produttori Fregona, although they do also a dry still wine and grappa. Torchiato di Fregona is particular to the area, and their website lays out the history of the wine like this: 


It is said that in 1600 a winemaker was forced to harvest grapes even though they were not perfectly ripened due to an early frost. He harvested the grapes and placed them in the barn on trellises. The following spring he was surprised to find grapes that were very sweet but also hardened by the withering process. He then tried to press it several times and then put the must to rest in small barrels without much conviction. A year later, the first taste lit up the face of the farmer who understood that he had discovered an extraordinary wine.


This wine is made of a blend of  45% Glera, 25% Verdiso, and 30% Boschera. The wine showed complex notes of honey, apricots, peach,  flowers, dried tropical fruits, and candied citrus laced with spice. The wine had a velvety texture with acidity for lift. 


Find additional details on this wine here. 



The Cheese


Finally, let’s get to the cheeses we tried and how they fared with the wines. 


The cheeses above are described in the tasting notes below, following the order of the top row first, moving from left to right, then the bottom row in the same order.




Feletto a Latte Crudo


This is raw milk cheese.

To the touch: We could feel a little bit of oil on the skin of this smooth cheese

On the nose: Milky but a little pungent with a bit of acid, butter, and a touch of earthiness like buttered little mashed potatoes, and a bit of fresh grass.

On the palate: The cheese had a creamy texture with a little saltiness that lifts at the end. It had a slightly cooked aspect like butter that was just starting to brown. It had long-lasting flavor.


Wine pairings: The Tonidoro was a solid match. It was clean and refreshing, however,  the minerality becomes a bit steely – perhaps an extra-dry would be a little better, rounding it out



Capra al Fieno 


Goat cheese with a little herb on the rind.

To the touch: Firmer, crumbly texture  with a slight bit of oiliness, 

On the nose: This was less creamy than the last cheese, with more herbal and earthy components,  plus a little bit of barnyard funk.

On the palate: There was a little bit of sweetness, salt, mild acidity, mild hints of herbs, and cooked vegetal notes, but not bitter. It had less intense aromas on the palate than on the nose, but balanced combo, and has a long taste. 


Wine pairings: This cheese worked very nicely with the Marzemiano. It had the richness to match the cheese, and enough freshness to balance it out. The intensities matched well. This did not work well with the Brut – the wine turned bitter with the cheese.



Capra Ubriaco al Traminer 


A goat’s milk cheese. This is a “drunken” cheese that is buried in the marc of Traminer grapes. Drunken cheeses were first written about in 1534, but the technique became a necessity during wartime when cheesemakers needed to hide their cheese from invading soldiers. 


To the touch: The texture of this cheese was slightly tacky and less oily than the previous two.

On the nose: There was a fruity element like pineapples and dried apricots, aromas of cooked milk, caramel, and a woodsy pine note. 

On the palate: There was a little acidity, plus a salty element, particularly on the back end. It had a long and persistent finish. It had a crumbly texture in the mouth with little hints of crystalization (this is known as tyrosine crystals), but it also melts in the mouth. 


Wine pairings: The Marzemiano enhanced the saltiness and herbal notes in the cheese, and the wine’s fruitiness came to the forefront.



Bufala Ubriaco al Glera


A buffalo milk drunk cheese using the marc of Glera (aka the grape of Prosecco).  

To the touch: The cheese had a slightly tacky texture.

On the nose: There were woodsy aromas, along with notes of grappa, particularly near the rind, along with hints of light spice.

On the palate: This cheese had a creamy texture in the mouth that melted at the end. There were sweet and salty elements with a touch of pleasant bitterness that rises on the finish. Flavors were more intense near the rind,  where there were also hints of flowers on their stems. It was very complex with a bit of piquancy. 


Wine pairings: In this case, the cheese is stronger than the Marzemiano, although it became a little less intense while bringing out notes of light spice in the wine. It also worked with the Piera Dolza, although the combination brought out more herbal notes in the wine and the cheese.



San Pietro in Cera d’Api 


This 100% cow’s milk cheese is wrapped in beeswax on the outside. The beeswax adds perfume to the cheese, and it also changes the texture of the cheese by helping to retain humidity.

To the touch: The cheese had a crumbly texture and even looked a bit like a honeycomb.

On the nose: The aromas of beeswax definitely come out, as well as notes of caramel, honey, flowers, and yogurt

On the palate: The cheese was salty up front, as well as a little bit spicy. Flavors of candied pineapple came up in the middle of the palate, along with hints of flowers and candied citrus. 

It had a good amount of acidity on the finish. It had a crumbly, with some crystals, but eventually melted in the mouth.  


Wine pairings: I thought this was a perfect match with the Piera Dolza, and they just melded together in a beautiful way. They had matching intensities, and the combination brought out a little more saltiness in the cheese.



We also had two cheeses made by the students in a cheesemaking school run out of the dairy.   


Stracchino 

A fresh buffalo milk cheese with mild flavors and a soft creamy texture, with a hint of bitterness on the end. 


Wine pairings: It worked very with the Brut. The wine and cheese brought out each other’s freshness, and the wine evened out the bitter element in the cheese. The creaminess of the cheese and the texture of the wine also matched nicely, and the cheese brought out the minerality in the wine in a nice way. 


Blue Cheese 

This cheese was made with a blend of cow and goat milk. The cheese had some meaty and savory notes of salami and olives, as well as notes of dried fruits like goji berries. It was salty and tangy.  


Wine pairings: The Piera Dolza really changed in the pairing, with the cheese heightening its flavors of honey and marmalade in a lovely way. The Marzemino also worked, but the cheese dominated in the pairing.




 *****

The Italian Food, Wine, Travel blogging group (#ItalianFWT) is exploring Italian wine and cheese this month. Be sure to check out the rest of their posts:

  • Camilla is preparing "A Cheese Board Anchored on a Trio of Italian Cheeses + A Pinot Nero from Alto Adige" at Culinary Cam
  • Jennifer is having “Caprese Paired with Prosecco” at Vino Travels
  • Robin is tasting "Piave, Grana Padano and the wines of Lombardia" at Crushed Grape Chronicles
  • Deanna is drinking "Abbondanza Montelpuciano d'Abruzzo: A Way of Life" at Wineivore
  • Gwendolyn is trying an "Intriguing Italian Alpine Wine and Cheese: Foradori Bio Teroldego Paired with Their Tyrolean Grey Cow Cheese and Taleggio Mushroom Risotto" at Wine Predator
  • Wendy is having "A Perfect Start to a Perfect Evening" at A Day in the Life on the Farm


Last fall, Greg and I spent two weeks exploring central and northern Italy. I dragged him to wineries all over the place, and our very last winery visit of the trip was at ILatium Morini, not far from Verona in the Veneto region.

(Little by little we’ll hop around to all of our stops.)

We were already big fans of the wines of the Veneto region. White, red, sparkling, and dessert – they’ve got all the styles, and we love ‘em all. Our trip really just solidified our appreciation. We also kind of fell in love with Verona. Such a beautiful city! It also felt a little less crowded with tourists than most others we stopped in . . . as long as you avoid Juliette’s house. The crowds are all at her place.







As an added bonus to the wine lover, Verona is also very conveniently located to some excellent wine regions. Wonderful examples of Valpolicella, Amarone, and Soave are an easy drive away. For example, ILatium Morini is just about 30 min from the city. They also happen to make Soave, Valpolicella, and Amarone, giving an excellent snapshot of the region in one winery.



ILatium is not a huge operation (they own about 40 hectares), but I was already familiar with their Amarone wines a bit and was very interested to visit. Through an importer friend of a friend, we were able to arrange a visit and tasting on a morning in late September with Eugenio Morini.

(Note: As a member of the industry, our tastings were comped. No other compensation was received and all opinions are my own.)



Eugenio and six of his brothers and cousins inherited the winery from their parents. The Morini family has been growing grapes and making wine for over 40 yer old, but the previous generation mostly sold their grapes to the local Cantina Sociale (cooperative wine cellar). The current generation took things to the next level and started Latium Morini (the addition of the “i” in front of “Latium” was relatively recent) in 1992 with the purchase of a five-hectare piece of land in the Val di Mezzane with a historical farm house from the early 1900’s. Things have grown since then, and while we were there, they were finishing construction on new facilities next to the farm house.



Eugenio kindly walked us through the vineyards and tasted us through their wines. We brought back a bottle of their Campo Leòn Amarone della Valpolicella, and have another previous vintage in “the cellar”, so we will definitely get to those one of these days. In addition though, I was so enchanted by their Recioto di Soave Classico, that Eugenio gifted me a bottle to bring back.



We’ve covered dry Soave Classico before, so I invite you to take a look at this post to get to know these wines. The main grape of the region, though, is Garganega, which must make up at least 70% of the wine. Trebbiano di Soave (Verdicchio) and/or Chardonnay can make up to 30% of the blend.

I’ll share this Soave Hierarchy Infographic from WineFolly.com as an additional quick recap.




Now I know a lot of people are down on dessert wines. Quite frankly, we love them. Good ones anyhow. Some of the most complex and beguiling flavors in wine are to be found in dessert wines. Recioto wines definitely fall into this camp.

The process through which these wines are made is really interesting. The grapes go through the appassimento process, through which the grapes are essentially dried out, rasinating the grapes and concentrating the sugars. Traditionally, this was done on straw mats in a warm part of the winery. (Wines from grapes dried out in this way are sometimes referred to as straw wines). Nowadays though, winemakers are much better able to control the process in temperature regulated rooms. It's truly a fascinating system and you really get to see it in Veneto.

In Vento, the appassimento process is used for dessert wines, as well as for dry Amarone wines. Recioto is the terms used for the sweet wines made in this way in the Veneto region, and here, the white Soave versions, are much less common than the red Amarone versions.

This makes sense if you think about it. Soave and Soave Classico wines are ready to be sold comparatively early, so as a winemaker, you make your money back quicker. Recioto wines take longer, take more grapes because you have to dry them out, have a lot of production restrictions, and are kind of out of fashion since a lot of people don’t like dessert wines. And yet, they can be soooo good!

Don’t get me wrong. I really love Soave as well. However, the appassimento process really brings out very different flavors in the grapes. Here are my tasting notes on ILatium Soave and a Recioto wines from our visit, as an illustration. Interestingly, the grapes for the 2nd Soave here are dried for one month. This is really atypical, but it means this wine also demonstrates a bridge point between the fresh style of the 1st Soave, and the style of Recioto di Soave.


Soave DOC 2017 

Mostly Garganega, with 10-15% Trebbiano di Soave.
Nose:  Soft, round fruit notes with light flowers and hints of herbs.
Palate: Lemons and green apples. Crisp with a light suppleness to the mouthfeel. A suggestion of cheese rind (although Greg didn’t pick this up), and hints of stones on the finish.
Pairings: Fresh, light dishes, salads, and light fish.



Soave Campo le Calle DOC 2017

100% Garganega
Nose: Gold apples (deeper than the green apple notes above), yellow flowers, some stone fruits.
Palate: Deeper fruit tones, stones, with touches of preserved lemon, tangerine skin, and hay.
Pairings: This is a wine that can stand up to stronger fish dishes and poultry.



Sette Dame Recioto di Soave Classico DOCG 2013

100% Garganega
Nose: Apricots, lemon curd, and tangerines.  Cheese that has been topped with honey. Light herbs.
Palate: Honeyed peaches, lightly toasted almonds or chestnuts. Lemon curd, tangerine. Nicely balanced.
Pairings: Strong cheeses like Gorgonzola, and desserts.



I think it’s easy to see a through-line and progression in these wines, with many of the notes deepening and intensifying with each wine. Not only do we see richer fruit notes, but certain umami notes strengthen as well, which give complexity to the wines.


The Pairing


We recently opened our bottle of the iLatium Sette Dame Recioto di Soave Classico DOCG 2013 at home.



We took down similar notes on the wine this time around: notes of honeyed apricots, cream, beeswax, nuts, almonds, marmalade, candy cap mushrooms, honeysuckle flowers that have begun to dry. We had leftovers of the wine, and interestingly, it improved over several days stored in the fridge, developing notes of dried mango, dulce de leche, and a deep nutty finish. It became even more luscious.

If I’d been planning the recipe to match the wine, I would’ve probably chosen a fruit dessert based around stone fruits or candied citrus, perhaps with some blueberries mixed in. However, I’d recently purchased what can only be described as a shit ton of strawberries at the farmers market. We had fresh strawberries macerated in sugar.  The had to be used up! We had them fresh, and I made both jam and preserves. There were still more, so I also made  a couple of Old-Fashioned Strawberry Cakes based on a recipe on New York Times Cooking.

The first of the cakes I made to take to a dinner with friends and I followed the recipe just as it’s written (almost). It had a lovely biscuity texture. We’ve been trying to be low-carb-ish when eating at home, so I decided to make a second cake at home to pair with this wine and played with the flours, using ground almonds and Bob’s Red Mill Paleo Flour in place of the all-purpose flour in the original recipe.

The texture of the second cake wasn’t as fluffy as the first, and the ground almonds gave it a coarser crumb. (One can buy more finely ground almond flour, though.) I liked the almondy texture, however, Greg did prefer the texture of the first cake. (He also thought there should be more strawberries in the cake in general.) That said, it’s a pretty small trade-off if you’re (sort of) watching  your carbs. With the extra strawberries and whipped cream on top, there was very little trade-off at all!



We had this second version of the cake with the wine. I also made a batch of sous vide strawberries that had been flavored with a splash of Triple Sec (in place of the Champagne recommended in the recipe), which I thought would work with the citrus notes in the wine. I also made some homemade whipped cream that I flavored with the same.

I might not have initially picked strawberries deliberately to pair with this wine, but this combination worked beautifully together! The notes of Triple Sec, while subtle, also really shined in the pairing. Neither version of the cake is super sweet either, which is rather in keeping with the Italian style of desserts, making it all the more appropriate. Also, a key to pairing dessert wines successfully is to have the wine be sweeter than the food, so you actually don't want you desserts to be too sweet if you're planning a combo. This combo hit a really nice balance and made a delicious pair!

For the record though, it was also delicious with a Peach Crisp.
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Somm's Table 2017